Journal

Notes from set and from the edit.

Practical writing on production, colour, sound and delivery — what I do on real projects, and why.

Consent, a small silent crew and a plan that bends around the procedure — how I film medical content without getting in the way.

Strategy, pre-production, production, post-production and distribution — what happens in each step, and what to bring to the first conversation.

Why footage arrives flat on purpose, what a colourist does in two layers, and one frame graded three ways.

One master, five formats: sizes, safe areas, and how to reframe without ruining the composition.

Look at whole projects, ask who does what, check what is in-house — and the red flags to avoid.